Border with Printer's Mark of Simon de Colines (reverse: Initial P from Erasmus, Opus de Conscribendis Epistolis, 1523) c. 16th century

Curator: Here we have a printer's mark from around 1523, specifically “Border with Printer's Mark of Simon de Colines.” It's anonymous, but what a fascinating glimpse into the world of early bookmaking. Editor: It's charming, isn't it? The rabbits at the bottom are delightful, and the cherubs at the top feel very much of their time. It speaks of rebirth and erudition, a symbolic doorway to knowledge. Curator: Absolutely, and consider the labour involved in creating this intricate woodcut. Each line, each flourish meticulously carved. This was skilled craftsmanship at the service of mass production. The materiality of ink, paper, and the printing press itself speak volumes. Editor: The rabbits are a puzzle, though. They seem to hold up a shield with letters—are they a symbol of diligence, perhaps? Or even fecundity, given their association with springtime? Curator: Or maybe a nod to the common rabbit skin glue used in bookbinding? These materials were integral to the final product, as significant as the text contained within. Editor: Intriguing thought! Ultimately, this border invites us to consider the profound symbolism embedded in even the most functional of objects. Curator: I agree. It’s a testament to the interconnectedness of craft, labor, and art. Editor: A beautiful reminder that objects carry stories, not just information.