Silver Teaspoon by Frank Nelson

Silver Teaspoon 1935 - 1942

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drawing, pencil

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drawing

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geometric

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pencil

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realism

Dimensions overall: 30.9 x 23 cm (12 3/16 x 9 1/16 in.) Original IAD Object: 6 1/4" high

Curator: Gaze upon this simple, yet strangely captivating, drawing. Frank Nelson rendered this “Silver Teaspoon” in pencil sometime between 1935 and 1942. Editor: A spoon...drawn realistically. My first thought? A quiet sort of longing. There's something incredibly domestic and intimate about elevating such an everyday object. Like holding a forgotten memory. Curator: I find the timing fascinating, doesn’t this invoke the social context? The Great Depression was ongoing; resources were scarce. Drawing a seemingly luxurious silver spoon... was this an act of aspiration, documenting attainable wealth, or even critiquing the scarcity? Editor: Or perhaps just finding beauty in the mundane when beauty felt scarce everywhere else. Look at the light—it practically gleams. You can almost feel the coolness of the metal, or remember its gentle weight in your hand. Curator: That's precisely where the “realism” takes on importance. It almost acts as documentary realism, highlighting a certain aspiration of the interwar period. This precise realism was extremely useful during WPA era as documentation of material reality. Editor: Right, this work has me pondering... Were domestic objects viewed differently? I see beyond utility. It’s not *just* a spoon; it's about family, shared meals, maybe even small moments of elegance carved out amidst hardship. This evokes a very powerful domestic symbol for women! Curator: Yes, and that domestic symbolism also carried cultural and socio-economic weight. The possession of such a spoon might symbolize access to food or being upper class in a broader scheme. Food security. Family. These all were powerful political aspirations during the Depression Era. Editor: I think there is great profundity in capturing, on paper, one humble, overlooked teaspoon. Makes you wonder what Nelson truly hoped to convey, doesn’t it? Curator: It certainly does. Every piece invites interpretation, sometimes more than serving answers! Editor: An everyday treasure that somehow holds so much, when you sit and simply contemplate.

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