Madonna and Child 1960

Paul Guiragossian painted this Madonna and Child using oil on canvas. The material qualities of the oil paint are critical here. Look at how Guiragossian has built up the surface, layering the pigment to create a relief-like effect. He’s used the inherent viscosity of the paint to create texture and a sense of depth. See how the brushstrokes are visible, each mark a testament to the artist's hand and the labor involved in the creation of the work? This direct engagement with the material is not only an aesthetic choice; it also imbues the artwork with a profound sense of humanity. The tactile quality of the paint emphasizes the artist's physical and emotional investment in the subject matter, making the divine figures relatable and accessible. It’s a far cry from the slick, mass-produced images of religious icons we often encounter. Ultimately, understanding the materiality and the making of this painting allows us to appreciate its social significance, challenging any strict hierarchy between fine art and craft.