Watch by Du Bois

Watch 1825 - 1845

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painting, metal, sculpture

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portrait

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painting

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metal

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sculpture

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jewelry

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decorative-art

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miniature

Dimensions: Diameter: 1 1/2 in. (3.8 cm)

Copyright: Public Domain

Curator: Take a moment with this "Watch", a true masterpiece of decorative art dating between 1825 and 1845. Its delicate painting and metalwork now reside at the Metropolitan Museum of Art. What do you think? Editor: Oh, my! It’s so ornate, almost ridiculously so! Like time itself is wearing a tiny gilded ballroom gown. The scene on the face, a miniature portrait—are those lovers escaping a burning building? Or maybe just…relocating. Curator: The scene's meaning is more elusive than the details, which is characteristic of decorative art of that era. We can consider this piece within broader historical narratives surrounding labor and the market economy in the early to mid-19th century. Such luxury goods symbolize specific social identities. Who would carry it, what statement would this luxury item represent? Editor: Exactly! It's saying, "I have so much time and wealth, I can encase time itself in ridiculous levels of beauty." And the figures inside… their expressions are so vague, it could mean anything! Though something feels unsettling about it...like a pastoral scene masking a darker truth. Curator: Precisely. This "Watch," beyond its function, speaks to broader conversations about wealth, power, and representation. As an object in a museum it raises questions: who controls our time, what are we willing to create—and who gets access to art and leisure? Editor: Okay, okay, deep thoughts for a tiny watch! But that’s what good art does, right? It takes the mundane, in this case, time-telling, and explodes it into a commentary on EVERYTHING. Maybe time really is just an endless opera of gilt and subtle dread! Curator: Yes. Considering objects like these is so important—as sites of social negotiation and reflection. We uncover cultural nuances through material things, connecting threads between the personal and the political. Editor: Well, next time I'm late, I’m blaming the existential angst radiating from exquisitely crafted antique timepieces! I am taking a completely new insight on being fashionably late.

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