Perugia c. 20th century

Curator: Looking at Samuel Chamberlain’s etching, Perugia, I’m immediately struck by the architectural drama. The crisp lines capture the weight and history of the stone buildings. Editor: It certainly evokes a sense of timelessness. But I see something else too, a commentary on the way that public spaces are presented, the way they are used to both welcome and exclude. Those imposing steps and arches… who are they for? Curator: Chamberlain, active in the first half of the 20th century, often depicted European towns. I see this as an exploration of civic identity, a portrait of the city itself. Editor: I agree, but the barbershop tucked into the corner brings the image down to the level of the everyday. It is those spaces that have more cultural significance for many. Curator: Perhaps Chamberlain is highlighting the juxtaposition of grand public display and intimate private life, the intersection of social classes within the urban fabric. Editor: Ultimately, this piece prompts questions about how we navigate the narratives embedded in our built environment. Curator: I think it offers a fascinating insight into the politics of the street in interwar Europe.