Benefit, The Museum of Modern Art, New York City 1977

Larry Fink made this photograph at a benefit in New York City. It’s a messy picture, like a snapshot, the opposite of a posed portrait. I love the way Fink plays with light and shadow, pushing the contrast. It's like he's sculpting with darkness. Look at the man’s hand against the woman’s back: the deep wrinkles, the blunt thumb, pressing into her skin. The surface is alive, not polished. It's a moment caught raw, exposed. Then look at the other hand holding hers aloft, the glint of the bracelet and ring. The work reminds me of Diane Arbus, another artist who had a knack for capturing the awkward truth of social situations. What is it about? Unease? Desire? Discomfort? It’s all mixed up together, and that's what makes it so compelling. The lack of clarity is the point.