Portret van William Beveridge 1670 - 1725

This is a portrait of William Beveridge by Michiel van der Gucht, made using engraving techniques in the 17th or 18th century. Framing the reverend is an oval border topped by a cherubic head. The cherub, a symbol deeply rooted in religious and cultural memory, is depicted here as a symbol of innocence and divine presence. We can trace the cherub back to ancient Mesopotamian art, where winged figures guarded sacred spaces, continuing through classical antiquity, where winged cupids represented love and desire. In Renaissance art, cherubs became a common motif, often associated with religious themes and divine love. The cherub, as a visual motif, has undergone a fascinating transformation, embodying innocence, love, and, at times, even a mischievous spirit, engaging viewers on a deep, subconscious level. It speaks to the cyclical progression of symbols, resurfacing, evolving, and taking on new meanings in different historical contexts.