The other injured animal 1951

Mathias Goeritz's sculpture "The other injured animal" presents a biomorphic form rendered in a rough, textured material. Its earthy brown tones and organic shapes evoke a sense of primal vulnerability. The sculpture destabilizes established meanings through its semi-abstract form. The animal is not explicitly represented but suggested through fragmented, expressive lines and amorphous masses. It appears to be an exploration of trauma and suffering that challenges fixed ideas about beauty and perfection. The creature's implied injury can be read as a signifier of broader existential anxieties about the human condition. Goeritz uses the physical properties of the medium to convey themes of pain, decay, and resilience. The sculpture functions as a powerful cultural symbol by offering a unique space for contemplation and re-interpretation. Through its unsettling form and thematic depth, the sculpture refuses a singular meaning, inviting ongoing engagement.