Portret van Johannes Jacobus Franciscus Wap by firma J.H. Buckmann

Portret van Johannes Jacobus Franciscus Wap before 1902

0:00
0:00

mixed-media, print, photography, albumen-print

# 

portrait

# 

mixed-media

# 

print

# 

photography

# 

albumen-print

Dimensions height 132 mm, width 107 mm

Editor: Here we have an albumen print from before 1902, titled "Portret van Johannes Jacobus Franciscus Wap," attributed to firma J.H. Buckmann. It looks like it's an image inserted in a book or album. The portrait is quite striking but simple in composition. What do you find most interesting about it? Curator: Well, seeing it within the context of a book gives it an interesting layer. These portrait albums were quite popular in the 19th century. Think of them as the Victorian era’s answer to social media profiles. The placement of this albumen print suggests a deliberate act of memorialization or even a declaration of social standing. Do you think its placement influenced the understanding of the subject, perhaps elevating him beyond a simple individual? Editor: I suppose it does lend him more authority, being placed in a formal publication like this. Were such portraits common among intellectuals or people of standing? Curator: Precisely. These photographic albums functioned almost as curated personal archives. The albumen print process, combined with the textual context, served to publicly cement identities and legacies. It prompts us to consider the intended audience and how the subject wished to be perceived within that social framework. What impression do *you* get of the subject? Does he appear stern or approachable, for example? Editor: He seems quite formal, though the angle is forward, but his look could indicate introspection. I wonder what else could the portrait tell us if we could study the whole album where it was included. Curator: Indeed! The original context of the image within the album will enhance our understanding. We should investigate how social conventions shape portraiture and its dissemination and explore the agency of both the subject and the photographer in shaping historical narratives. Editor: I see! So, we can read a whole social history in what initially seemed just a stern portrait in an old book! Curator: Absolutely. It serves as a tangible link to understanding how individuals navigated and shaped their public image within their specific social landscape.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.