Circle Form 1951

Ellsworth Kelly, he’s one of those artists that thinks a lot about shapes, like a lot. Imagine Kelly in the studio, maybe he’s got some jazz on, and he’s trying to get this circle just right. You know, perfectly round, but also perfectly placed. The black against the white, so simple, but it really pops. There’s something so satisfying about it. It's not just a circle, but it’s also about the space around it. Kelly and I are kindred spirits in the world of form. We're both interested in how shapes interact and how they create tension or harmony. I always admire the way he makes these forms. This reminds me of the way I've been collaging lately. It's all about cutting and pasting shapes until they just feel right. Like a puzzle that slowly comes together. In the studio, it's a conversation with shapes, a dance with form and color. You know, artists are always talking to each other, even across time.