Christ expulsing the Moneylenders from the Temple by Albrecht Dürer

Christ expulsing the Moneylenders from the Temple 1506 - 1509

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print, woodcut

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narrative-art

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print

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figuration

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11_renaissance

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woodcut

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history-painting

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northern-renaissance

Dimensions 142 mm (height) x 111 mm (width) (bladmaal)

Curator: The chaotic energy just leaps off this print. It’s practically vibrating with righteous anger. Editor: Indeed. What we're seeing is Albrecht Dürer's "Christ Expulsing the Moneylenders from the Temple," a woodcut created between 1506 and 1509, currently residing here at the SMK, Statens Museum for Kunst. Dürer is such an interesting figure during a pivotal shift in the cultural landscape. Curator: And that shift is palpable here! The architectural setting feels claustrophobic, amplifying the drama. Notice how Dürer uses the stark contrast of the woodcut medium to intensify the emotional weight? Christ’s figure dominates the composition, radiating power. That knotted whip! Editor: He uses light to great effect, drawing our eye to Christ and the immediate aftermath of his intervention. The overturned table, the scattering figures… it’s a potent symbol of disrupting established norms, wouldn't you say? There's an immediacy here – not just religious, but socio-political. Curator: Absolutely. You feel the ripple effects of that disruption, even centuries later. For me, it’s about challenging corrupt systems. That candle flickering in the background? For me it signifies dwindling hope, about to be reignited through radical action. I also wonder what cultural connotations that lamb in the scene bears in this period. Editor: Precisely! Remember that the economic structures of the time were deeply intertwined with the Church, making this act particularly revolutionary. The woodcut medium itself also plays a role. Prints like these democratized imagery, spreading dissent far beyond the elite circles who might view painted versions of such a scene. The printing press made Dürer the influencer of his day! Curator: A vital reminder that art has always been a powerful tool for social commentary. I will think of the use of symbols for days! Editor: It showcases Dürer's genius—and how effectively images shaped the discourse of his time. Thank you for sharing your insights!

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