Sarape with Compound Banded Design by Navajo (Diné)

Sarape with Compound Banded Design 1870 - 1895

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fibre-art, weaving, textile

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fibre-art

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weaving

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textile

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geometric

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indigenous-americas

Dimensions 186.7 × 137.8 cm (73 1/2 × 54 1/4 in.)

Curator: Let’s turn our attention to this striking textile, a "Sarape with Compound Banded Design," crafted by Navajo, or Diné, artists between 1870 and 1895. It currently resides at the Art Institute of Chicago. Editor: The vibrancy jumps out immediately! The interplay of reds, browns, and creams generates a dynamic visual rhythm across the wool surface. I wonder about the scale... how does it relate to the human body? Curator: Precisely. The serape's dimensions invite reflection on its function. Primarily crafted from wool, the weave structure suggests warmth and protection, its utility inseparable from its aesthetic presentation. Note the tightly composed geometric elements, reflecting, repeating, building toward a complex, ordered surface. Editor: I find it particularly intriguing that this object transcends simple decoration; the hand-spun quality and the dye processes speak to a deep cultural connection to land and resources. I wonder about the economic landscape shaping its creation. The time period is particularly meaningful. Curator: Absolutely. The weaving encapsulates cultural endurance and adaptation. Its tightly regulated formal arrangement testifies to sophisticated knowledge transmitted and refined through generations. Observe the compound banded designs which yield to abstraction. Editor: Yes, considering the laborious manual processes inherent in weaving, each line and shift in color becomes not just visual data but also evidence of a collaboration with materials, where individual artistry meets collective identity, doesn't it? Curator: Indeed, its abstract and symbolic potential, alongside practical value, reveals cultural expression intricately linked to communal values and environment. Editor: Its existence serves to defy the high-art and low-craft distinctions, which shows art and everyday life combined as it provides us with such a powerful experience. I'm intrigued by the interplay of material agency and design intentions. Curator: Indeed, contemplating the geometric and textural composition offers an opportunity to examine underlying values and aesthetics inherent to this Diné textile weaving. Editor: I'm now very intrigued about where these design ideas might go, as weavers explore and develop ways for working with colors and creating new rhythms.

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