The Reconciliation of Helen and Paris after his Defeat by Menelaus by Richard Westall

The Reconciliation of Helen and Paris after his Defeat by Menelaus Possibly 1805

0:00
0:00

Dimensions: support: 1270 x 1010 mm frame: 1472 x 1240 x 94 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Richard Westall painted "The Reconciliation of Helen and Paris after his Defeat by Menelaus." We believe it was created sometime in the early 19th century. Editor: It's breathtaking. The ethereal figure looming above immediately suggests a powerful, perhaps divine, intervention. Curator: It speaks to the socio-political role of women in art, as Helen's agency is erased, replaced by this seemingly divinely ordained reconciliation. The painting romanticizes a narrative that should be one of abduction and war. Editor: Absolutely, the veil they hold between them is key. Veils often represent concealment, mystery, but here, it seems to symbolize forgiveness, a fragile truce under divine watch. It also hides Helen's face, a powerful commentary on the male gaze. Curator: This artwork reflects the prevalent social norms and expectations that shaped interpretations of classical stories during its time. Editor: It's a potent image, though. The symbols of war discarded at Paris’s feet, juxtaposed with this dreamlike reunion, leave a lasting impact.

Show more

Comments

tatebritain's Profile Picture
tatebritain about 11 hours ago

http://www.tate.org.uk/art/artworks/westall-the-reconciliation-of-helen-and-paris-after-his-defeat-by-menelaus-t00088

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tatebritain's Profile Picture
tatebritain about 11 hours ago

This painting is inspired by Greek legend: Helen was married to Menelaus, king of Sparta. Her affair with the Trojan prince, Paris, led to the Trojan War. Richard Westall painted this scene for Thomas Hope, a wealthy collector. His London home had rooms designed and furnished in the different styles of the ancient world – Egypt, India, Greece and Rome. Westall modelled the figure of Helen on a Greek statue in Hope’s collection. In the 1790s Westall’s Royal Academy exhibits were the talk of the town. His flashy paint effects divided opinion, however, and many thought his work was too stylised and unnatural. Gallery label, February 2024