Illustration til "Kjærestefolkene" i H.C. Andersen, "Eventyr og Historier", Bind 1 by H.P. Hansen

Illustration til "Kjærestefolkene" i H.C. Andersen, "Eventyr og Historier", Bind 1 1870 - 1873

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drawing, print, paper, ink

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drawing

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narrative-art

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print

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figuration

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paper

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ink

Dimensions 134 mm (height) x 116 mm (width) (bladmaal)

Curator: Here we have H.P. Hansen’s illustration for Hans Christian Andersen's "The Sweethearts" dating from 1870 to 1873. It's rendered in ink on paper, a print intended for his fairy tales and stories. Editor: It's... charmingly creepy, wouldn’t you say? A jumble of discarded toys, their painted faces staring blankly. There's something wonderfully melancholic about abandoned playthings. Curator: Indeed. Andersen’s tale centers on two spinning tops who are betrothed but torn apart by circumstance, mirroring societal constraints on love and longing. Hansen cleverly visualizes this, doesn't he? A scattered array of playthings stands in for the characters. Editor: That tall, wooden soldier figure is wonderfully rigid. And is that supposed to be the moon looking utterly dejected on its side? One almost feels sorry for a lump of wood with a painted face! Curator: It does tug at the heartstrings, doesn't it? Hansen's style isn't overly polished, which lends an almost raw, emotional honesty. Consider too, the socio-political implications of illustrated literature intended for a wide readership, particularly children, conveying messages about love and destiny, Editor: I like that—raw honesty. It’s refreshing amidst the often saccharine world of fairy tales. The somewhat crude depiction also makes it seem less like a sanitized ideal, more like a reflection of real-life heartache. Which I think also applies for adult audience as well. Curator: Precisely! Hansen doesn't shy away from the somber undertones within Andersen's narrative. It underscores the fairy tale’s ability to touch on universal truths—loss, longing, and the bittersweet passage of time. Editor: And these aren't mass-produced, cheerful, bright plastic things. This looks handmade and rustic, suggesting someone once cared very deeply to bring those inanimate things into existance. Even an ill-fated relationship has a story, a value. Curator: I completely agree. It's a humble yet profound piece. These discarded trinkets whispering stories of love lost through ink and paper. Editor: It leaves you with the thought that even a brief flicker of affection, like the two tops, creates a resonating legacy, worthy of Andersen's immortal tale.

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