Marie Anne légitimée de france , fille de Louis Le Grand c. 1685

This print, depicting Marie Anne de Bourbon, was made by Nicolas Arnoult in the late 17th or early 18th century using engraving techniques. The process begins with an image carefully incised into a metal plate, likely copper. Ink is then applied, pressed into the grooves, and the surface wiped clean. When paper is pressed against the plate, the image transfers, resulting in a print characterized by fine lines and a distinctive texture. The material reality of the print speaks to its social context. The clothing of Marie Anne, from the lace to the heavy textiles, denote luxury and status, and were products of extensive labor in the textile industries. Consider too the skilled craftsmanship required to produce this print. Engraving demanded precision, artistry, and time; each print would have been relatively precious. By focusing on these aspects, we see how the print bridges the world of fine art and craft, reflecting the labor and materials that underpinned elite society.