Landschap met gezicht op de stadsmuren bij Keulen 1643 - 1644

This landscape with a view of the city walls near Cologne was etched by Wenceslaus Hollar. The dominant visual symbols here are the city walls and the tower, archetypes of protection and strength. These forms echo across time, from the walls of ancient Jericho to medieval fortresses, and even in modern urban architecture. Consider the tower: a symbol that extends far beyond mere defense. It is present in the Tower of Babel as a sign of hubris or in the image of the Virgin's Tower as a space of refuge. The tower carries emotional weight as a beacon, a place of both confinement and observation, deeply ingrained in our collective consciousness. Notice how the artist has positioned the figures near the gate. This composition evokes a sense of transition and movement. It calls to mind the cyclical nature of human experience. The journey through life’s passages, the opening and closing of chapters. These visual motifs reappear throughout history, transformed yet fundamentally unchanged, constantly renegotiated, resurfaced in our art and dreams.