Design for a ceiling: the Grand Salon 1850 - 1900

Jules-Edmond-Charles Lachaise created this design for a ceiling with graphite, pen, and black ink. The composition is structured by a series of nested rectangles and ovals. The eye is drawn to the central oval, likely intended for a fresco, which is filled with swirling figures. This is surrounded by a delicate lattice pattern, creating a visual contrast between organic forms and geometric precision. The outer rectangular frame is adorned with ornate details, with scrolls and medallions that punctuate the otherwise rigid lines. Lachaise uses line and form to create a sense of depth and hierarchy. The drawing embodies the tension between structure and decoration. The balance between classical order and baroque exuberance showcases a moment where the language of architectural design flirts with both control and expressive freedom. Note the underlying grid that seeks to impose order on the organic forms of the cherubs. It is a reflection of how artistic and philosophical movements continuously redefine the boundaries of space, representation, and meaning.