Portret van een onbekende man en vrouw in klederdracht uit Bourg de Batz by P. Morgan

Portret van een onbekende man en vrouw in klederdracht uit Bourg de Batz 1900 - 1914

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Dimensions height 103 mm, width 62 mm

Curator: This photograph captures an intriguing image: “Portret van een onbekende man en vrouw in klederdracht uit Bourg de Batz,” a gelatin-silver print from somewhere between 1900 and 1914 by P. Morgan. Editor: Well, my initial reaction is surprise. The woman’s stare is direct and kind of heartbreaking. Their old-timey outfits seem heavy, literally and symbolically. I wonder what story lies behind their expressions, you know? It's so hard to say. Curator: Precisely, the weight! It is very interesting to examine the formal construction here. Note how Morgan utilizes a shallow depth of field, which flattens the subjects, almost trapping them within the frame, a literal embodiment of societal expectations, perhaps? It is an aesthetic choice with complex effects. Editor: Maybe! I see what you're saying about being "trapped", I feel that! I look at the woman, and that geometric pattern on her… vest, is it? … it looks like chainmail, as if she’s armoured for… what? I guess for the business of living? And the man in the totally insane hat--who wore this?! Is it ironic, serious, comical, or maybe tragic? And what does that even mean, anyway? Curator: Well, while speculation has its merits, observe how the interplay of light and shadow accentuates the texture of their clothing, drawing the viewer's eye to the intricate details of their traditional garments. Consider how this invites us to contemplate the materiality and its symbolic value, speaking to community identity, maybe even class structure. Editor: Ah, it's more than the individual then, eh? The "how" reflects some bigger thing, perhaps, so it helps tell that tale! In that way, that flattening you mentioned can hint at something shared… Okay! I feel it. Thank you! Curator: Indeed. Seeing it again this way suggests this image reveals so much about not just two lives, but potentially a culture clinging to existence at a turning point. Editor: What a remarkable, and honestly quite spooky picture.

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