Felicity, Then and Now Possibly 1980 - 1989

Curator: Here we have "Felicity, Then and Now," a portrait taken sometime between 1980 and 1989, by Mariette Pathy Allen. Editor: The 'then and now' is heavy, isn’t it? Like looking through frosted glass at a memory. She’s seated in what seems like a classic parlor, but the photograph in the background adds this peculiar echo... Curator: Allen is known for her documentation of the transgender community. This portrait layers time and representation by juxtaposing the contemporary Felicity with, presumably, an earlier portrait of her as a young mother with a child. It asks us to consider how we view transitioning, femininity, and the performative aspects of gender throughout a life. Editor: Performative, absolutely. Those glasses – are they part of the act or a genuine necessity? And that fiery red suit against the drab wall...almost a dare. She isn't asking permission, that's for sure. The portrait behind is almost ethereal in contrast; there's so much longing, a wistful quality to it. Curator: Indeed. The composition frames Felicity within historical perceptions and conventions of motherhood and womanhood. The older picture suggests that femininity is mutable and evolves through time, which would resonate with socio-political discourses from the late twentieth century regarding gender performativity. Editor: See, to me, the photograph isn't overtly political. More personal. Looking at her, there is something rebellious about it; there's this almost mischievous glint, maybe hinting at defiance of expectation but in this dignified manner. It strikes a complex cord; both fierce and heartbreaking, you know? Curator: Fair point. Her presence challenges normative perspectives on identity. Allen encourages dialogue about inclusivity through documenting an honest narrative, which becomes imperative especially if viewing this photograph in a space like a museum or gallery where one expects a critical public conversation. Editor: And there she sits in that chair— not giving away much else of her history! I leave with more questions than answers…as I ought. Curator: Precisely. That openness is precisely what Allen intended us to wrestle with, no doubt, leading to broader awareness and understanding.