Saints Britius and Emilianus c. 17th century

Curator: Here we have Jacques Callot's diminutive print, "Saints Britius and Emilianus," held at the Harvard Art Museums. Editor: Immediately I'm struck by the mood; it's quiet, pastoral, almost like a whispered story. The fine lines give it such a delicate feel. Curator: Callot, who lived from 1592 to 1635, was a master of etching. He was working during a period of religious conflict, and his prints often touch on faith and morality. Britius and Emilianus, you see, are saints associated with finding abandoned children. Editor: The composition feels almost theatrical, doesn't it? The Bishop with the foundling, the shepherds in the background—it's like a stage tableau. Callot's work reminds me how deeply interwoven faith and daily life were. Curator: Indeed, art in this period often served as a visual sermon, reminding people of virtuous behavior, offering guidance through imagery. Editor: It's a reminder that even the smallest artwork can contain a universe of meaning. Curator: A compelling notion. I agree completely.