Portret van de staatsman Charles-François Lebrun c. 1829 - 1830

This is Zéphirin Belliard's portrait of Charles-François Lebrun. This lithograph presents a study in contrasts, both of tone and texture. The stark white paper throws into sharp relief the figure of Lebrun, swathed in fur and lace. Consider the formal structure of the piece. Belliard uses the graphic medium to create a study of social position. The composition employs a semiotic system of signs, with each element carefully placed to communicate power and status. Lebrun's gaze, for instance, is level, suggesting authority. The fur and lace are not merely decorative but function as symbols of wealth and prestige. The artist masterfully uses light and shadow to model Lebrun's face and clothing, adding depth and volume to the image. These formal elements contribute to the creation of a narrative, reinforcing the sitter's status and importance. The portrait, therefore, is not just a representation of an individual, but also an assertion of social and political power.