Christian IV by Andreas Flinch

Christian IV 1840 - 1843

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print, woodcut, engraving

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portrait

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print

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woodcut

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engraving

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realism

Dimensions: 180 mm (height) x 109 mm (width) (bladmaal)

Editor: Here we have Andreas Flinch's "Christian IV," created between 1840 and 1843. It's a print, made using woodcut and engraving. It strikes me as quite a direct and unidealized portrait. What do you see in this piece, beyond the likeness? Curator: I see the weight of history rendered through symbols. Look closely at the lace collar—its delicate, almost floral design is sharply contrasted by the severe, militaristic garb underneath. This juxtaposition embodies the complex reign of Christian IV: a blend of artistic patronage and relentless warfare. The symbols are telling. Editor: Warfare? I wouldn’t immediately gather that from the image. Curator: Note the figure’s stern gaze. That unwavering focus echoes the heavy responsibilities of leadership, of holding power during turbulent times. How do you interpret the use of engraving and woodcut in portraying him? Does the medium inform your reading of the subject? Editor: I suppose the starkness of the black and white adds to that severity. It feels less celebratory and more like a historical document, befitting a woodcut. The details in the lace though… they're remarkable for this medium. Curator: Exactly. Consider the cultural memory embedded within printmaking itself—the reproduction, the dissemination of images, the very idea of crafting an ‘official’ portrait. It allowed a controlled, reproducible image to represent and, in some ways, solidify the King’s presence in the national consciousness. What kind of presence does it suggest? Editor: Perhaps a determined, authoritative, if somewhat careworn, leader? It definitely provides a sense of how he wanted to be seen, and how that image would endure. I hadn't considered the dissemination aspect before. Curator: Indeed. And those enduring images shaped the collective understanding of a nation and its leaders. Symbols persist and continue to accrue meaning as time goes on. Editor: It’s amazing how much history can be embedded in a seemingly simple portrait print. I'll definitely look at portraits differently from now on!

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