Still Life with Plums, White Plums, Peaches and Medlars c. 17th century

Editor: So, this watercolor is a still life by Pieter Withoos, titled "Still Life with Plums, White Plums, Peaches and Medlars." It feels very detailed and almost scientifically rendered. What do you see in this piece from a formalist perspective? Curator: Observe how the artist uses the branch as a central axis. The composition hinges on it, creating a balanced yet dynamic arrangement of forms. Note the strategic placement of light and shadow to accentuate volume and texture. Editor: The colors are quite muted, aren't they? Curator: Indeed, the restrained palette enhances the work's contemplative mood, but also allows us to appreciate the subtle variations in surface and form. How does that limited range affect your perception of the textures? Editor: It makes me focus on the shapes and light, the almost tactile rendering of the fruit. I see the artist wasn't just depicting fruit but exploring form and light. Curator: Precisely. The artist transforms the still life into an exercise in pure form.