Symphonia by Tobias Stimmer

print, woodcut

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allegory

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print

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figuration

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11_renaissance

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woodcut

Dimensions 130 mm (height) x 115 mm (width) (bladmaal)

Curator: Today, we are looking at “Symphonia,” a woodcut crafted in 1574 by Tobias Stimmer. What are your initial thoughts on this piece? Editor: There's an immediate sense of proclamation. A central winged figure blowing a trumpet, poised above a scene filled with ships and turmoil... it evokes a rather theatrical feeling. Curator: Indeed. Stimmer, active during a period of significant religious and political upheaval, often used allegory to address the sociopolitical currents of his time. The central figure is symbolic of fame or reputation—her position above the world signifying influence. Editor: And that figure stands on a box that I feel adds an additional layer. Its symbolism, though, is unclear, unless we see it connected to this very theatrical fame she proclaims. Curator: That box reminds me that representations of chests or coffers at the time served as common symbols for secrets. Her mastery could very well speak to the necessity for such leaders to be more careful stewards. Editor: Those cherubic figures in the margins each seem absorbed in distinct activities: one playing music, another with some navigational tool. What do they represent? Curator: Consider how such imagery functions to establish that the concept is not merely fame, but that the concept’s dominion is on all domains. Navigation, commerce, learning: All benefit from a well run state. Editor: Do you believe there’s any commentary on the role of women here? Or the representation of powerful females more specifically? Curator: Yes. While the figure might simply represent the personification of fame, it’s crucial to analyze such imagery within a context where gender roles are being actively negotiated. Stimmer presents a female figure as the embodiment of that force—a significant statement in itself. Editor: This piece leaves me with much to consider. From the intricacies of state and civic management and symbolic associations in rendering such a print. It’s quite revealing in its symbolism. Curator: Absolutely. The act of looking into how and why Stimmer may choose certain allegorical themes leaves many avenues to learn about art. What the audience is, why it was made. It asks that the viewer go deeper.

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