Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) by Stefano della Bella

Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) 1648 - 1653

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drawing, print, etching, engraving

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portrait

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drawing

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baroque

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print

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etching

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landscape

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figuration

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horse

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men

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engraving

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profile

Dimensions: Sheet: 7 3/8 x 7 7/16 in. (18.7 x 18.9 cm)

Copyright: Public Domain

Curator: Let's turn our attention to this etching by Stefano della Bella. It's titled "Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback'" and dates to sometime between 1648 and 1653. Editor: Immediately, it's the wings that strike you, isn't it? They lend the figure this amazing sense of otherworldly bravado, as if the rider is almost flying across the field. The circular format makes me think of a coin or a medal. Curator: That's an insightful comparison. Bella, though Italian, was employed by the Polish court. These hussars, with their distinctive wings, were elite heavy cavalry, a symbol of power and martial prowess. Editor: So these wings weren't simply ornamental then? I mean, look at the rest of the gear; the patterned blanket, the tasseled reins! This is about demonstrating the owner’s affluence as well as representing military might. The etching itself is a tool of power and propaganda, circulating an image of the hussar ideal. Curator: Exactly! Think about the work that goes into just creating such a delicate image – the preparation of the metal plate, the painstaking process of etching. Each print, potentially hundreds, spreading this iconography across Europe. And Stefano della Bella’s expert use of line makes it seem as effortless as a swift ride on horseback. Editor: There is something quite poetic about freezing a moment of presumed violence within this decorative, almost jewel-like, etching. It raises questions about the glamorization of war, doesn’t it? Turning a killing machine into a piece of collectible art. Curator: A fair point. Perhaps that's the paradox, this dance between artistry and documentation of power. We've seen how Bella immortalized a symbol; one deeply rooted in not only military, but also cultural significance. Editor: A winged wonder grounded in labor, and very clever marketing!

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