Portret van de dichter Pieter Vlaming 1734

Curator: Here we have Cornelis Troost's 1734 engraving and etching, "Portret van de dichter Pieter Vlaming," currently housed at the Rijksmuseum. What’s your immediate take? Editor: He seems rather… smug? The way he’s gazing off to the side, plus that cascade of perfectly sculpted hair. There's almost a touch of the theatrical about him, wouldn't you say? Curator: Absolutely! Troost captures Vlaming with a subtle flamboyance characteristic of the Baroque, really emphasizing detail and drama within the portrait tradition. Technically, you have etching layered with engraving to get a strong tonal range and the crisp line work. The circle around him kind of spotlights his presence. Editor: Right, it’s like he’s staged within this self-contained frame. The textures, especially on his robe, seem incredibly tactile for a print. Do you feel Troost's giving us a glimpse into Vlaming’s character beyond the powdered wig? Curator: I think so. The etching style gives it a more relaxed feeling, as if capturing him in mid-thought, more than just a stilted depiction. The inscription certainly elevates him. He is presented with an inscription in Dutch that can be translated into “Amsterdam crowned his head and promised to the art of Poetry, immortal." Editor: Clever way to embed his status. Is the dramatic flair reflective of Vlaming's poetic style then, perhaps full of classical references or grand pronouncements? Curator: Possibly. We get both public presentation, that official recognition by Amsterdam personified, and then hints of personal attitude that Troost, as a keen observer, has managed to pick up. A blend of respect and quiet critique, maybe? Editor: Leaving us to consider the person behind the poet, very astute. Curator: That combination is Troost at his best!