Moonlight and Roses 1940

Haddon Hubbard Sundblom, known for his commercial work, paints a social scene with light and shadow, using oil, but when? Imagine Sundblom in his studio, layering these figures. This isn't just illustrating; it's about feeling. The pinks and greens aren't just pretty; they’re giving us drama. He captures a moment of high society. The details like the frills and folds of the garments really place it. Look at the way the server is angled, there to serve but not a part of the main party. What is this party about? What are they saying? There's a conversation happening here between the figures, and the brushstrokes that shape their forms. It reminds me of Manet, in a way, but with a more approachable style. Like he’s saying, "Art doesn't have to be stuffy." It is a different way of seeing the world that embraces ambiguity.