De eerste vliegvlucht van Clément van Maasdijk bij Heereveen by E. ten Cate

De eerste vliegvlucht van Clément van Maasdijk bij Heereveen Possibly 1910 - 1931

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photography, gelatin-silver-print

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landscape

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photography

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photojournalism

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gelatin-silver-print

Dimensions height 74 mm, width 99 mm, height 136 mm, width 163 mm

Curator: This gelatin-silver print, whose authorship is attributed to E. ten Cate, is titled "De eerste vliegvlucht van Clément van Maasdijk bij Heereveen," and it dates to sometime between 1910 and 1931. It depicts what appears to be an early aviation attempt. Editor: There’s a starkness to the composition—the grainy texture of the photograph, the figures framed by what looks like a hangar, the plane itself seeming rather fragile and makeshift. It evokes a palpable sense of anticipation mixed with uncertainty. Curator: Absolutely. This image speaks volumes about the early days of aviation, and the Dutch context specifically, by depicting Clément van Maasdijk, a pioneer aviator, at Heereveen. This period was transformative, as flight shifted from dream to reality, primarily dominated by men of upper social status, such as aviators or race car drivers. The construction of aviation as elite contributes to shaping our contemporary understanding of masculinity in sports and innovation. Editor: Looking at the visual language itself, I'm drawn to the almost skeletal structure of the aircraft. The photographer captures the intersecting lines and planes that dominate the composition. Light is captured through the openings in the hangar structure, with the subjects framed as a contrast of geometric and organic shapes. Curator: The social dynamics captured in the photograph also provide a narrative about power, visibility, and access. It highlights the socio-economic disparities of the time, with flight being accessible only to those of certain backgrounds. Photojournalism documented key historical moments in the rise of technological achievement, reflecting broader colonialist projects rooted in economic inequality. Editor: I agree, and perhaps one could argue the way in which the tonal range emphasizes both texture and form evokes not only a sense of realism but also underscores an objective, perhaps scientific, perspective on this moment in aviation. Curator: Viewing this image through an intersectional lens lets us explore questions of identity and mobility during a time of social upheaval, which, even when filtered through themes of technological achievement, have modern parallels. Editor: Considering the photo's visual economy and balanced arrangement with sharp and softened planes of focus gives insight into how meaning is created through these elemental design qualities, adding both depth and intrigue.

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