Dimensions: object: 280 x 457 x 460 mm
Copyright: © The estate of Anthony Caro/Barford Sculptures Ltd | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Sir Anthony Caro's "#15 Point," a painted steel sculpture held by the Tate. It’s small, almost like a deconstructed architectural model. What strikes me is how the bright colors seem to fight against the material's inherent weight. How do you interpret this contrast? Curator: Precisely. The visual clash you observe, the tension between color and material, speaks volumes. Consider how steel, traditionally associated with industry and strength, is here subverted by whimsical, almost playful hues. It's a symbolic deconstruction of masculine power, wouldn’t you say? Editor: That’s a really interesting point. I hadn't considered the masculine undertones of steel. Curator: Think of the color choices too; what do those signify? Editor: They're quite bold… maybe a reclamation of joy against the rigidity of industry? Curator: Exactly! It’s this interplay of memory, material, and vibrant color that gives it such enduring appeal. Editor: I see it now; the piece carries so much more depth than I initially perceived. Thank you!
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While other sculptors worked with Tyler to make two-dimensional works, Caro chose to make a series of paper sculptures. Each one is unique, incorporating paper whose specially-prepared colour, weight and texture has been produced in collaboration with Tyler. Caro’s early paper sculptures were flattened and mounted on the wall. These later works are intended to be viewed on a plinth. Gallery label, July 2008