Hand Painted Wall (Detail) by Michael Lauretano

Hand Painted Wall (Detail) c. 1940

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drawing, tempera, paper, mural

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drawing

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organic

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tempera

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paper

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coloured pencil

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folk-art

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decorative-art

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mural

Dimensions overall: 76.2 x 56 cm (30 x 22 1/16 in.)

Curator: This is a fragment of a work titled "Hand Painted Wall (Detail)," created around 1940, most likely in tempera and coloured pencil on paper. It suggests the scale of a mural, doesn't it? Editor: It does. My initial impression is a feeling of faded elegance. The pale green backdrop and the stylized fruit and foliage remind me of aged wallpaper in a grand, but slightly decaying, country house. Curator: The repeating motif of fruit, particularly what looks like pomegranates, points to a decorative style steeped in symbolism. Pomegranates, throughout history, have represented fertility, abundance, and even immortality. Editor: Interesting! Considering it’s titled as a "detail," and presumed to be on a wall, one has to wonder about the craftsmanship and what decorating trends might have led to its creation. The material quality, the tempera, would have made it affordable to create and, therefore, appealing at the time of creation. Curator: I'm thinking about how the artist carefully planned the layout. The slightly irregular spacing and the handcrafted nature of the painting feel so personal. Editor: And I find that even the somewhat worn texture and slight discolouration add to its visual appeal, because they provide a tactile history of production. It is possible that this mural acted not merely as decoration, but also to give the interior space itself the connotation of fertility, which certainly was valued by people at that period. Curator: Exactly! The visual weight these repeated icons lend is not just about beauty. It’s also a reminder of how such domestic images serve as conveyors of collective memory, constantly reinforcing certain ideas or desires across generations. Editor: Thinking about the application of tempera as well as the act of drawing, in connection to "folk-art" makes one curious to whom was given the power to create such art pieces. I do think it can be important to analyse which segment of the population had access to creation itself, as it might be a hint as to what message or lifestyle these murals promote. Curator: Yes, it prompts a very interesting question of the artwork’s access and consumption at the time. By engaging with both material conditions and embedded symbolism, this modest yet revealing mural detail presents an amazing story about how the material choices of art mirror wider social structures. Editor: Precisely. Examining how certain symbols and materials carry meanings is truly enlightening.

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