Marcella Counterpane c. 19th century
anonymous
minneapolisinstituteofart
textile, cotton
shape in negative space
negative space
textile
tonal
lack of negative space
gestalt
england
limited contrast and shading
thin text stroke
cotton
tonal art
a lot negative space
remaining negative space
"Marcella Counterpane," a large-scale, 19th-century textile artwork by an anonymous artist, currently housed in the Minneapolis Institute of Art, is a striking example of minimalist visual art. The work consists of a plain white cotton fabric stretched across a frame, with only a few subtle stains visible on the surface. This piece, measuring 85 1/2 x 79 1/2 inches (217.2 x 201.9 cm), showcases the beauty of simplicity and highlights the artist's intention to present a blank canvas for the viewer's interpretation, leaving room for the viewer's own thoughts and feelings to be projected onto the artwork.
Comments
After several centuries of colorful embellishment on bed covers, white bedroom furnishings became fashionable in England by the late eighteenth century. French needleworkers had developed a technique known as Marseilles work which involved embroidering intricate, white designs on a white ground, then quilting them to a second layer of fabric and stuffing them with batting to produce a raised effect. Coverlets made in this style were much admired in England, but were difficult to obtain and very expensive to purchase. In 1763, British weaver Robert Elsden developed a process that successfully emulated Marseilles work. His invention, "woven quilting," is a type of double weave that can be produced quickly and inexpensively on a commercial loom. The name changed in popular usage, and by mid-nineteenth century, Marcella counterpanes, such as this one, were readily accessible to middleclass English households.
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