Marcella Counterpane by Anonymous

Marcella Counterpane c. 19th century

anonymous's Profile Picture

anonymous

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shape in negative space

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negative space

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textile

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tonal

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lack of negative space

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gestalt

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england

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limited contrast and shading

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thin text stroke

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cotton

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tonal art

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a lot negative space

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remaining negative space

"Marcella Counterpane," a large-scale, 19th-century textile artwork by an anonymous artist, currently housed in the Minneapolis Institute of Art, is a striking example of minimalist visual art. The work consists of a plain white cotton fabric stretched across a frame, with only a few subtle stains visible on the surface. This piece, measuring 85 1/2 x 79 1/2 inches (217.2 x 201.9 cm), showcases the beauty of simplicity and highlights the artist's intention to present a blank canvas for the viewer's interpretation, leaving room for the viewer's own thoughts and feelings to be projected onto the artwork.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

After several centuries of colorful embellishment on bed covers, white bedroom furnishings became fashionable in England by the late eighteenth century. French needleworkers had developed a technique known as Marseilles work which involved embroidering intricate, white designs on a white ground, then quilting them to a second layer of fabric and stuffing them with batting to produce a raised effect. Coverlets made in this style were much admired in England, but were difficult to obtain and very expensive to purchase. In 1763, British weaver Robert Elsden developed a process that successfully emulated Marseilles work. His invention, "woven quilting," is a type of double weave that can be produced quickly and inexpensively on a commercial loom. The name changed in popular usage, and by mid-nineteenth century, Marcella counterpanes, such as this one, were readily accessible to middleclass English households.

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