110. Robe Hanging Pine at Senzoku No Ike 1857

Utagawa Hiroshige produced this woodblock print titled 'Robe Hanging Pine at Senzoku No Ike' as part of his series 'One Hundred Famous Views of Edo'. Hiroshige's work encapsulates the spirit of 19th-century Japan, where nature and urban life were intertwined. Edo, now Tokyo, was not only a political and economic centre but also a cultural hub. This print reflects the increasing interest in landscape as a subject, which served to promote tourism and celebrate local landmarks. The "Robe Hanging Pine" itself was likely a celebrated local tree, with the print inviting viewers to appreciate the natural beauty. The landscape, with its harmonious composition and tranquil atmosphere, also reflects the influence of Zen Buddhism and its emphasis on simplicity, balance, and contemplation. We, as historians, can look to travel guides and local histories to further understand the cultural significance of these sites and the role they played in shaping the identity of Edo. Ultimately, this artwork is not just an image; it’s a historical document that allows us to reflect on the relationship between art, society, and the construction of cultural memory.