Gezicht op de Bastille en de Porte Saint-Antoine te Parijs by Jan Caspar Philips

Gezicht op de Bastille en de Porte Saint-Antoine te Parijs 1736 - 1775

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print, engraving

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baroque

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print

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pencil sketch

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old engraving style

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perspective

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form

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line

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cityscape

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history-painting

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engraving

Dimensions height 179 mm, width 224 mm

This etching, made by Jan Caspar Philips, depicts the Bastille and the Porte Saint-Antoine in Paris. The Bastille looms, a stark symbol of royal authority. Note how its formidable structure and the imposing gate create an atmosphere of tension. Consider the symbolism of gates and walls throughout history. They are not just physical barriers but psychological ones. Think of the city gates in ancient Mesopotamia, adorned with protective deities, or the walls of medieval castles, designed to inspire awe and fear. They embody power, exclusion, and the human desire for security. The Bastille, initially intended to protect, became a prison, its image evolving into one of oppression. This transformation highlights the complex interplay between the intended function of a symbol and its eventual interpretation. The collective memory of such a structure—its stories, its associations—shapes its lasting impact on the human psyche. This is a reminder of how symbols persist and evolve, carrying layers of meaning across generations.

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