Willem III, koning der Nederlanden, penning van de eerste grootte 1849

Editor: This is a bronze medal depicting Willem III, King of the Netherlands, created in 1849 by David van der Kellen. The detail is incredible. What can you tell me about the formal qualities of this work? Curator: Well, focusing on the medal's structure, the profile portrait is dominant. Note how the circular format emphasizes the king’s enclosed authority and is set within a neatly inscribed band. The modeling of the bronze also creates a sense of depth, wouldn't you agree? Editor: Absolutely! The way the light catches his features, especially around the nose and brow, gives it dimension. How does that contribute? Curator: It contributes to a realism effect. Look closely. Van der Kellen employed delicate, almost microscopic striations to bring his portrait to life. Light interacts uniquely with each engraved area. Editor: The precision of the lines outlining his beard and hair really stand out now that you mention it. What about the symbolism, if any, embedded within such detailed execution? Curator: Formal analysis posits symbolism emerges through these interactions; however, consider, first, that the medium is non-precious – it is not gold, or even silver – do we find a symbolic humility in the work itself? What could a Formalist conclude here? Editor: Possibly! The sculptor prioritizes technique. I see that a meticulous carving stands out to achieve a heightened naturalism. Curator: Precisely. And its existence depends largely on those visual features. The artistry isn’t separate from what’s depicted but found entirely inside. Editor: Thank you, I will study it closer from this perspective now. It brings a deeper focus to craftsmanship, which otherwise would be unseen.