[title not known] by British School

[title not known] 1833

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Dimensions: support: 138 x 237 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: What strikes me immediately is the immediacy of this sketch, the energy. Editor: This ink drawing, from the British School, seems to capture a fleeting moment. It’s a small work, about 14 by 24 centimeters, part of the Tate collection. Two figures sit near some trees. Curator: Yes, the almost scribbled-in foliage gives the sense of a hidden space, a private meeting perhaps. There is something about this secluded setting with only two people present that evokes a strong sense of mystery. Editor: The image reminds me of early colonial encounters, the exoticism and curiosity that defined those relationships, however fraught. The figures are reduced to types, really, symbols of the "other." Curator: Perhaps, but I also see a quiet dignity in their posture. And the artist's hand, dashing and confident, suggests a kind of respect, even admiration for the scene. Editor: I see what you mean. The artist certainly isn't sentimental; they approach this scene with an economy of line that’s quite arresting, almost anthropological. Curator: Whether documentary or imaginative, it whispers of untold stories. Editor: A visual fragment, full of cultural echoes.

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tate 4 days ago

http://www.tate.org.uk/art/artworks/british-school-title-not-known-t10773

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tate 4 days ago

These two sheets from a sketchbook provide a panoramic view of an Indian landscape. Although we do not know who made these drawings, the sketchbook contains evidence that it was created by someone who travelled to India by sea in 1833. Such a voyage would take around six months. Sketching allowed travellers to often document, and begin to comprehend, the new landscapes and environments they encountered. The panoramic format was frequently used, as it effectively conveyed a sense of the sublime, even overwhelming, extent and impact of these alien landscapes. Gallery label, September 2004