Carved and Painted Wooden Santo (St. Anthony) 1935 - 1942

Editor: This artwork is called "Carved and Painted Wooden Santo (St. Anthony)" from between 1935 and 1942. It appears to be a sculpture rendered in watercolor, with a folk-art feel. The figure of St. Anthony looks quite striking. What stands out to you about this piece? Curator: It's fascinating how this work reflects the intersection of religious expression and folk art traditions during that period. Consider the socio-political context: the rise of regionalism and a renewed interest in American folk traditions during the Depression era. How might this inform the imagery and its reception? Editor: So, it was perhaps made in the United States as folk art but is inspired by religious objects? Curator: Precisely. These Santos, often found in New Mexican or Puerto Rican communities, served a vital role in domestic devotion. Majel G. Claflin is using the style and theme to participate in a movement. What’s intriguing is how an artist engages with and perhaps transforms this tradition. Do you notice any elements that might signal a shift or interpretation of this cultural object? Editor: I suppose, the doll like face gives it an art deco feel instead of spiritual. Curator: Exactly! That blend of popular style is key to how art objects interact with their moment. We could dig into the role of arts programs from the New Deal. Programs to support artists and to give access to a broader public and how they fostered the rediscovery of and promotion of folk art. It also shows that museums don't merely display art; they shape artistic narratives and values. What does it tell us about what "America" saw as valuable back then? Editor: That's really interesting; I didn't consider how art from that time connects to social and cultural initiatives of the era! Thanks! Curator: Absolutely, the dialogue between art and society is continuous and that’s one reason I find historical perspective so enriching.