Christ in Glory Copy of 9th-10th century original

Curator: Here we see an ivory carving titled "Christ in Glory," held in the Harvard Art Museums. The artist remains unidentified. Editor: The dense composition and shallow relief create such a rigid, formal feeling. It's as if divine power is being asserted. Curator: Indeed, this imagery of Christ enthroned would have served specific ideological functions, likely asserting ecclesiastical authority and divine mandate within the Byzantine Empire. Editor: Note how the artist uses linear patterns to define the drapery, contrasting with the smooth, rounded face. Also, observe the intricate foliate border. Curator: The style clearly draws from established iconographic traditions, reflecting a world where religious images were tightly controlled and politically charged. Editor: Ultimately, the artist's choice of ivory as a medium elevates the subject and imbues the piece with both permanence and prestige. Curator: Precisely, and considering its cultural context illuminates how such images were integral to shaping social and political realities. Editor: Yes, while the tactile quality and the visual organization offer profound aesthetic experiences.