Pennsylvania German Hanging Salt Box by Betty Jean Davis

Pennsylvania German Hanging Salt Box c. 1939

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watercolor

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watercolor

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folk-art

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watercolour illustration

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decorative-art

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watercolor

Dimensions: overall: 36.2 x 32.5 cm (14 1/4 x 12 13/16 in.) Original IAD Object: 7 1/2" deep; 10" high; 7 1/2" wide

Copyright: National Gallery of Art: CC0 1.0

Editor: This is a watercolor rendering of a Pennsylvania German Hanging Salt Box, dating back to 1939, created by Betty Jean Davis. It seems to represent an older piece. I’m really drawn to the intricate folk art detailing; it looks so delicate, yet the object itself was likely quite utilitarian. What stands out to you in this piece? Curator: Well, consider the labor involved. We're looking at a *depiction* in watercolour, yes, but it points directly to the work of the carpenter and, most strikingly, the hand of the decorator. This wasn’t just about storing salt. These boxes served as displays of skill, of cultural identity and, perhaps, a subtle statement of economic means. How might the materials themselves – the specific types of wood, the pigments used in the paint – inform our understanding of this community’s access to resources? Editor: That's interesting. I hadn't considered the pigments and materials themselves as a kind of cultural marker. Are you suggesting that even the *choice* of watercolor here is significant, related to accessing the cultural meaning behind it? Curator: Exactly! Watercolor itself became a widespread industrial product only later on, implying a certain mode of consumption. What does this replication, the making-of-a-likeness through watercolour mean here, compared to the actual making and use of a carved wooden object? Davis isn’t simply reproducing an image; she's engaging in a dialogue with a form of craft production, highlighting its materiality. How would you relate the painted representation here to our digital reproduction of this art? Editor: It sounds like the intersection of folk art, industrial materials and craft is much more complex than I initially thought! It’s amazing how a simple salt box could reveal so much about production and society at that moment. Curator: Precisely. The real value is in examining what is communicated through this meticulous process. We discover an engagement with labor, materials, and social customs that far exceeds the practical use of containing salt.

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