Franzosische Kunstausstellung zu Krefeld 1907

This poster by Théophile Alexandre Steinlen probably involved a lithographic stone or plate with the image emerging through layers of ink and careful adjustments. I imagine Steinlen felt the pressure of the printing press, the way each mark had to count. The face he's made feels both classical and modern, with the bold lines and solid color of the black hair and dress giving it an edge. It reminds me of other graphic artists like Toulouse-Lautrec, who also had a deep affection for portraying women. It’s interesting to think about the poster as a means of communication and how it invites us to an art exhibition, and makes me wonder about the dialogue between artists across time, each building upon the language of form and color to express something new. Ultimately, it’s all about opening up a space for multiple readings and interpretations, embracing the ambiguity inherent in visual expression.