Portret van Rembrandt van Rijn, met de onderarm leunend op een stenen dorpel c. 1757
print, engraving
portrait
baroque
engraving
realism
Dimensions height 158 mm, width 135 mm
This etching of Rembrandt van Rijn, leaning on a stone sill, was made by Thomas Worlidge in the 18th century. The printmaking process involves tremendous technical skill. The image is created by incising lines into a metal plate, which is then inked and pressed onto paper. Look closely at the hatching and cross-hatching that define Rembrandt’s face, hair, and clothing. Notice how Worlidge varies the depth and density of these lines to create a sense of light and shadow, and to capture the texture of the different materials. The labor-intensive nature of etching reflects a broader context of artisanal production, a period when skill and craftsmanship were highly valued. In reproducing Rembrandt’s likeness, Worlidge was not only paying homage to a master, but also demonstrating his own mastery of a complex and demanding technique. Understanding the printmaking process and its historical context allows us to appreciate the work not just as an image, but also as a testament to the skill and labor involved in its creation.
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