September Snow 1903

Igor Grabar made this painting called ‘September Snow’ with oil on canvas. It's all about the marks for me in this painting – how Grabar builds up this scene with such visible strokes. There’s something so honest about seeing the process, like a conversation between the artist and the canvas. The snow isn't just white; it’s a mix of blues and greys, reflecting the light and the sky, and you can see every dab of paint. I’m drawn to the way the paint is applied thickly in some areas, like on the wooden pillars, giving them a real, tactile presence. Then, in the background, the strokes become softer, more blended, creating a sense of depth and atmosphere. Notice the snow sitting on the blue railing. The way the brushstrokes seem to mimic the weight and texture of snow. It’s like Grabar is not just showing us snow but letting us feel its cold, damp presence. I see a connection between Grabar’s Impressionistic approach and someone like Pissarro, who also captured everyday scenes with such a keen eye for light and color. Art is like one big conversation, with artists building upon each other's ideas. And in this conversation, Grabar reminds us that beauty can be found in the most unexpected places.