Composition 1963

Editor: This is Hryhorii Havrylenko’s "Composition" from 1963, made with acrylic paint. I’m really struck by how the artist uses these flat planes of color, mostly greens, blues, and reds. What compositional elements stand out to you in this piece? Curator: Note how the surface is actively broken. We have what you correctly observed as discrete areas of chromatic value creating a kind of overall surface pattern. What principles of organization can you find in this ostensibly haphazard arrangement? Editor: I guess, the squares are organised in blocks of similar color; for instance, the red areas are concentrated around the center. Curator: Exactly! Now, consider the space between these colored forms. Is it passive? Does it have any function? Editor: Hmmm… well, it kind of allows the colours to stand out individually, maybe defining their shapes even more. Curator: Precisely. The interaction of these geometric color masses within a unified visual space generates tension, rhythm, and structure. Would you agree with me that such a piece is largely self-referential and invites a decoding of its structural and chromatic relationships, with minimal regard for exterior factors? Editor: Yes, I think that's spot on. Focusing on form and color really unlocks a deeper understanding. Curator: Indeed. Now, considering that it was painted in 1963, what would you say it could be alluding to regarding the pure, optical sensations and impact upon the viewer? Editor: The flat shapes and bright colors seem very indicative of its time. Thanks, I hadn't considered it so formally! Curator: My pleasure! This kind of close observation enhances our understanding of the image in a manner distinct from focusing on biography or historical events.