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Giovanni Bellini painted this oil on panel, Madonna of the Meadow, around 1500, giving us his take on a classic theme. It presents the Virgin Mary gazing in sorrow at her sleeping son. Bellini made this painting in Venice, then a Republic, during a time of relative peace and prosperity. It was a hub of commerce and culture, and he was the leading artist in the city. What I find interesting here is the way Bellini merges the sacred with the everyday. Mary isn’t just a remote religious figure; she’s also a mother in touch with nature and a symbol of domesticity. See how Bellini’s composition places her against an idyllic landscape. It evokes a sense of harmony between humanity and the natural world, and the presence of a town beyond suggests the role of the church as a feature of everyday life. To truly appreciate a work like this, we must consider the social and institutional context in which it was created, using historical resources to understand the values and beliefs of the time.
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