About this artwork
Miguel Alcañiz painted "Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles" around the 15th century. The artwork displays a vertical composition, divided into three distinct panels, unified by a gold background. The right panel features a large figure of Saint Giles. Alcanyís uses hierarchical scale to emphasize the spiritual importance of the figures and the events depicted. The iconographic presentation employs well-defined lines and symbolic elements. The composition creates a visual language that invites viewers to engage with religious narratives. Each panel unfolds a narrative, with the upper left showing Christ’s triumph and the lower left, the apostles' mission. This arrangement doesn’t just tell a story; it organizes a world of meaning. Alcañiz uses the gold to flatten space, emphasizing symbolic depth over naturalistic representation.
Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles 1403 - 1413
Artwork details
- Medium
- tempera, painting, oil-paint
- Dimensions
- Overall 59 5/8 x 39 1/2 in. (151.4 x 100.3 cm); upper left panel, painted surface 24 1/8 x 16 7/8 in. (61.3 x 42.9 cm); lower left panel, painted surface 24 5/8 x 16 7/8 in. (62.5 x 42.9 cm); right panel, painted surface 46 1/8 x 16 7/8 in. (117.2 x 42.9 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
Tags
medieval
allegory
tempera
painting
oil-paint
sculpture
landscape
figuration
oil painting
history-painting
international-gothic
christ
Comments
No comments
About this artwork
Miguel Alcañiz painted "Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles" around the 15th century. The artwork displays a vertical composition, divided into three distinct panels, unified by a gold background. The right panel features a large figure of Saint Giles. Alcanyís uses hierarchical scale to emphasize the spiritual importance of the figures and the events depicted. The iconographic presentation employs well-defined lines and symbolic elements. The composition creates a visual language that invites viewers to engage with religious narratives. Each panel unfolds a narrative, with the upper left showing Christ’s triumph and the lower left, the apostles' mission. This arrangement doesn’t just tell a story; it organizes a world of meaning. Alcañiz uses the gold to flatten space, emphasizing symbolic depth over naturalistic representation.
Comments
No comments