A-ha-ka ma-ni, The Walking Elk. A Yankton Sioux [Lakota] Warrior. Dakota. Possibly 1857 - 1872

Curator: I’m struck by the somber mood, the quiet dignity in his eyes. Editor: And by the photograph itself, a small albumen print by McClees Gallery titled "A-ha-ka ma-ni, The Walking Elk. A Yankton Sioux Warrior. Dakota." Look at the materiality; the texture of the paper, the sepia tones. Curator: The sitter, A-ha-ka ma-ni, represents a complex intersection of identity and power. He’s presented within a western photographic tradition, yet adorned in the regalia and symbols of his Lakota heritage. Editor: Indeed, his clothing tells a story. The intricate beadwork on his moccasins and pouch speaks to the labor and artistry inherent in their creation. Curator: And the feathers in his hair. We must consider the historical context, the forced assimilation, the systematic oppression of Native peoples during this period. Editor: It is a stark reminder of cultural appropriation and the power dynamics inherent in image-making. Curator: Absolutely. This image prompts reflection. Editor: It certainly makes us think about the politics of representation.