Portret van Pieter Jacobsz. Olycan 1754 - 1831

Wybrand Hendriks made this portrait of Pieter Jacobsz. Olycan using pen in brown ink and brush in gray ink. The artist’s choice of materials and processes has a significant impact on the artwork’s appearance. The contrast between the fine pen lines and the broad brushstrokes creates a dynamic interplay of textures and tones. The brown ink adds warmth and richness to the overall composition, while the gray ink provides depth and shadow. This piece shows both a mastery of technique, and the efficiency of execution afforded by ink-based media. Beyond the artist’s handling of materials, we also see traces of the sitter’s own engagement with material culture. His clothing, particularly the elaborate ruff, signifies a certain level of social status, and thus the world of labor and the production of textiles. The use of ink and brush allows for a fluid and spontaneous approach to portraiture, capturing the essence of the sitter's likeness and character with remarkable economy. By focusing on the materiality and making of this drawing, we gain a deeper appreciation for the artist’s skill, and the social context of 18th century Holland.