Baadsters (schets) by Leo Gestel

Baadsters (schets) c. 1915 - 1921

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drawing, paper, ink

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drawing

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blue ink drawing

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figuration

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paper

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ink

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sketch

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expressionism

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line

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sketchbook drawing

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nude

Dimensions height 192 mm, width 210 mm, height 142 mm, width 210 mm

Curator: Leo Gestel's sketch, "Baadsters," created sometime between 1915 and 1921, presents a fascinating study of form on paper, rendered in ink. Editor: It’s striking how stark it is, a blue-ink outline of figures, almost primitive in its simplicity, yet possessing a latent energy. What do you make of the line quality? Curator: Indeed, the line is crucial here. The artist uses it both economically and expressively. See how the undulating lines not only define the figures, but also suggest movement and a sense of dynamism, perfectly fitting with the expressionist aesthetic of the time. Editor: I am curious how Expressionism influenced the subject matter in this period. This carefree image of bathers must carry a weight when put against the backdrop of the Great War and its effects, right? Curator: Absolutely. The early 20th century saw significant societal upheaval. Artists grappled with shifting cultural landscapes and a re-evaluation of classical ideals, finding new perspectives on the body. These "Baadsters" may reflect a desire to break free from formal constraints and embrace naturalism. Gestel creates an image of idyllic pleasure in a time of upheaval. Editor: And looking at the visual cues – the simplified forms, the bare minimum of detail – I almost get a sense of timelessness, a removal from any specific era. It seems very self-contained in its artifice, as if these figures were pulled from some abstract painting, stripped of the specific period markers one might usually see in this type of painting. Curator: I see what you mean. Stripping away extraneous detail focuses our attention on the formal relationships: the interplay of figures, the curves, the negative space they create. These bathers become more archetypal figures engaged in this elemental activity of bathing, even timeless. Editor: So, viewing it purely as a line drawing, as a study in form and movement, can unlock different perspectives outside of its specific moment. Curator: Precisely. Gestel offers an image that transcends a specific time, instead celebrating enduring aesthetic and human themes through line and form. This really helps showcase the value of focusing on Gestel's methods rather than immediately on subject.

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