Kestrel 1974

Curator: It's quite striking how Elisabeth Frink captures the alertness of this kestrel. The image measures 542 by 465 mm and is part of the Tate collection. Editor: There's something both fragile and fierce in its gaze; it's got that predator energy while also looking a bit vulnerable perched on that stark, almost skeletal branch. Curator: I find myself drawn to the textural quality of the branch itself, almost like a mold, which contrasts against the kestrel’s smooth plumage. It demonstrates Frink's interest in the physical process of printmaking. Editor: Absolutely. And thinking about it in the context of Frink's broader work, often exploring themes of masculinity and power, this bird could symbolize a kind of watchful, critical eye, particularly within patriarchal structures. Curator: That's an interesting perspective. For me, the focus really lies in the method and the way the artist brought these elements together, using printmaking's inherent qualities to evoke a sense of rawness. Editor: Agreed. Ultimately, it leaves you pondering the kestrel's place in a world that's perhaps not as nurturing as it should be. Curator: Yes, it's a work that is deceptively simple in its making, but invites layered perspectives.