Climbing near the Dom, Canton of Valais by Robert Frank

Climbing near the Dom, Canton of Valais 1944

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Dimensions: sheet (trimmed to image): 5.8 x 5.5 cm (2 5/16 x 2 3/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This gelatin-silver print, taken in 1944 by Robert Frank, captures a mountain scene. It is called “Climbing near the Dom, Canton of Valais.” Editor: My initial impression is of overwhelming, ethereal cloud cover – as if the mountains themselves are emerging from the sky, rather than the earth. There’s a dynamic tension between concealment and revelation. Curator: Absolutely. The interplay of light and shadow gives the image an almost primordial feel. The clouds take on a symbolic quality – suggesting the challenges, both visible and unseen, that the climbers face. The mountain as an enduring symbol of strength and perseverance. Editor: I’m curious about Frank's choice of the gelatin-silver process in the 1940s. This was relatively established at the time, allowing for a great range of tonal nuance. What aspects of that process did he harness to reflect the labor and technology intertwined with this depiction of landscape? Curator: That's insightful. Given the Dom's significance to climbers – its summit a potent cultural objective–the photo acts as both a straightforward landscape and a symbol for aspiration itself, wouldn’t you say? Editor: Possibly. Though looking closely, one sees that it seems a little less about aspiration and a little more about depicting a rugged topography, I can also see signs of careful development—intentional dodging and burning in the darkroom that manipulate light in the final image. This adds to that drama that you were mentioning. Curator: Indeed. The photographic manipulation certainly enhances the inherent grandeur. Considering the date, 1944, what sort of emotional or psychological undercurrents might viewers bring to this vista, during wartime? Editor: Wartime austerity may have impacted the accessibility of photographic materials. To what extent would limited resources dictate Frank’s aesthetic decisions? How might these restrictions force innovation? Curator: Interesting angles! The photograph stands as a striking confluence of technical precision and deeply felt symbolism. Editor: Precisely. Reflecting upon how it connects artistic intention with material conditions, opens up even newer ways to understanding its impact.

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