Kunsthistorikeren Carl V. Petersen, siddende, med cigar by Ludvig Find

Kunsthistorikeren Carl V. Petersen, siddende, med cigar 1905

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drawing, pencil

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portrait

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drawing

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figuration

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pencil

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academic-art

Dimensions 219 mm (height) x 178 mm (width) (bladmaal)

Editor: So here we have Ludvig Find's 1905 pencil drawing, "Kunsthistorikeren Carl V. Petersen, siddende, med cigar." It’s a pretty straightforward portrait, almost casual. What stands out to me is the speed of the lines, and the somewhat unfinished quality of the whole image, while still successfully showing us the pose and impression of the subject. What can you tell me about it? Curator: It's fascinating to consider the labor involved here, and the implications of its quick execution. This isn't about achieving a polished illusion, is it? We see the material evidence of its making, the pencil strokes laid bare. Notice how the artist uses varied pressure to model form and create tonal contrast with such minimal means. Does that speak to a shift in how art was valued at the time, away from elaborate studio work to capturing immediacy? Editor: Definitely. It feels like a sketch, but it's in a museum. That makes you wonder about its intended audience. Was this for Find's personal study or a preliminary study, or was it intended to stand alone? Curator: Exactly. And what about the choice of pencil? Compared to paint, it's humble, accessible, democratic even. It's reproducible via photography, aligning it with emerging visual culture of mass media. Consider how that accessibility democratized art production and consumption beyond the elite circles typically associated with painted portraits. Did it threaten traditional academic boundaries between high art and simple documentation? Editor: I didn't even think about that element of mass culture, how the reproduction might give value to the simplicity of the piece! I also see the man portrayed is also an art historian... almost like a critic enjoying a simple cigar, outside his usual world. Curator: Precisely. Find gives us Petersen *in media res*, which is a casual portrait, removed from traditional depictions and elevated towards its value in materiality. Thanks for pointing this out; that element offers further analysis.

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